I am a big fan of using Super Zoom lenses on digital SLR cameras. When I travel to places like Walt Disney World, I do not want to be carrying a lot of heavy equipment. A Super Zoom lens lets me go with a small pouch which holds an extra battery, memory cards, lens cleaning cloth, flash and one extra lens, usually the 50mm f/1.8.
I have used Nikon’s Super Zoom lenses on both a DX (cropped camera) and FX (full framed camera). They are the Nikon 18-200mm f/3.5-5.6 AF-S VR DX Zoom and Nikon 28-300mm f/3.5-5.6 AF-S VR II FX Zoom Lenses. Canon has their 18-200mm f/3.5-5.6 EF-S IS Zoom Lens. Sigma and Tamron each have an 18-250mm zoom lens. All are image stablized and very versatile.
Super Zoom lenses are full of compromises. They have variable apertures and are not very fast nor are they extremely wide or long. I find they work perfectly in a place like a Disney themepark, festivals, or fairs. The following photos were all taken with a Nikon D700 FX camera and the 28-300VR lens.
For this photo of a tricycle parked near Kali River Rapids entrance in Disney’s Animal Kingdom, I got in close and low using the widest focal length of the lens.
A tricycle parked near Kali River Rapids entrance.
Nikon D700/28-300VR, 1/125s, f/5.6, ISO 200, EV +0.3, 25mm focal length.
Along the Pangani Forest Exploration Trail, the gorrilas, at their closest, are still far away and the reach of a super zoom lens comes in very handy.
Bachelor Gorilla on the Pangani Forest Exploration Trail.
Nikon D700/28-300VR, 1/250s, f/5.6, ISO 160, EV 0, 300mm focal length.
The Image Stablizaton (Vibration Reduction for Nikon’s) in the Super Zoom lenses work even while doing motion photography like panning at the Tomorrowland Speedway in the Magic Kingdom.
Guests speeding around the Tomorrowland Speedway in the Magic Kingdom.
Nikon D700/28-300VR, 1/15s, f/29, ISO 200, EV 0, 85mm focal length.
The verstality of the wide range of focal lengths helps to photograph scenes like this one. Space Mountain was being lighted by a late day Sun with rain clouds behind it. I really liked being able to crop in and create this composition with the spires of the ride bright lighted in front of a dark, gloomy background.
Spires of Space Mountain in Torrowland.
Nikon D700/28-300VR, 1/100s, f/16, ISO 200, EV 0, 105mm focal length.
Let me repeat, Super Zooms give you a lot of compostional freedom. I envisioned this photo of the Red Hero car from Lights, Motors, Action Extreme Stunt Show in Disney’s Hollywood Studios knowing I was going to be seating in the VIP section of the grandstands during the show. The wide end let me get the car’s reflection, the camera truck and the set behind all in the frame. Using a fast shutter speed let me freeze all the action at the right time.
Red Hero car jumping during the Lights, Motors, Action Extreme Stunt Show.
Nikon D700/28-300VR, 1/1000s, f/5, ISO 200, EV 0, 28mm focal length.
A slight zoom on the lens from 28mm to 40mm eliminated some foreground clutter and brought the broom in closer as I photographed the Sorcerer Mickey Mouse topiary in front of Disney’s Hollywood Studios’ entrance.
Sorcerer Mickey Mouse topiary in front of the entrance to Disney’s Hollywood Studios.
Nikon D700/28-300VR, f/16, ISO 1100, EV 0, 40mm focal length, HDR Image.
Are Super Zooms the perfect travel lens? Maybe not perfect but the closest thing I have used to one.